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Alan Davie

Moon Maiden Walls No.2, 1970

Oil on canvas
122 x 152.5 cm / 48 x 60 inches
Signed, dated and inscribed with the title and opus number verso
Opus O.623

Shaman's Table No.3, 1971

Gouache and pencil on paper
55.5 x 75 cm

Bulls Eye No.2, 1972

Gouache on paper
56 x 76 cm
Signed, inscribed and dated ‘July 72’ verso

Fly Away Little Bright One, 1973

Oil on canvas
122 x 101.5 cm
Signed, inscribed and dated 'Feb 63' verso
Opus O.513

Fisherman's Myth No.13, 1974

Oil on canvas
101.5 x 122 cm / 40 x 48 inches
Signed, dated and inscribed with the title and opus number verso
Opus O.787  

Rug, 1975

Wool tapestry
150 x 200 cm
Unique
Signed and dated verso

Monument to the Caribs No.23, 1976

Oil on canvas
101.5 x 122 cm / 40 x 48 inches
Signed, dated and inscribed with the title verso
Opus O.845

Little Dog in a Trance, 1978

Oil on canvas
40.6 x 50.8 cm
Signed, inscribed and dated ‘Aug 78’ verso 

Homage to Homo Australis No.13 (Owl), 1981

Oil on canvas
122 x 101.5 cm / 48 x 40 inches
Signed, dated and inscribed with the title and opus number verso
Opus O.984A

Homage to an Earth Goddess No.2, 1992

Oil on canvas
152.5 x 122 cm / 60 x 48 inches
Signed, dated and inscribed with the title and opus number verso
Opus O.1204

Magic Ribbon, 1993

Oil on canvas
101.5 x 122 cm / 40 x 48 inches
Opus O.1253

Don't Think Just Blow, 1994

Oil on board
37.5 x 31 cm / 14 ¾ x 12 ¼ inches
Opus O.1307

Om Eyes No.2, 1994

Oil on board
37 x 29.5 cm / 14 ½ x 11 ½ inches
Opus O.1308

Checkered Mask, 1998

Oil on board
37.5 x 30 cm / 14 ¾ x 11 ¾ inches
Opus O.1415

Los Observadores del Cielo a la Tierra (Divine Play), 1998

Oil on canvas
122 x 101.5 cm / 48 x 40 inches
Signed, dated and inscribed with the title and opus number verso
Opus O.1146

Island Fantasy, 1999

Screenprint
SP 3/3

Magic Windmill, 1999

Oil on board
30 x 37.5 cm / 11 ¾ x 14 ¾ inches
Opus O.1439

Sky Ship, 2003

Oil on board
25.4 x 30.4 cm
Signed, inscribed and dated ‘03 verso
Opus O.1666

Lure for Demons, 2004

Oil on board
30.5 x 25.5 cm / 12 x 10 inches
Opus O.1686

3 Times 4 Z, 2006

Oil on board
35.5 x 30.5 cm / 14 x 12 inches
Opus O.1826

Beyond Recognition, 2006

Oil on board
35.5 x 30.5 cm / 14 x 12 inches
Opus O.1845

Venus Tristle, 2006

Oil on board
30.5 x 35.5 cm / 12 x 14 inches
Opus O.1853

Build Me a Trophy, 2007

Oil on board
32 x 37 cm / 12 ½ x 14 ½ inches
Opus O.1912

RESERVED

ALAN DAVIE  British, 1920 - 2014 

Alan Davie is one of Britain's most internationally acclaimed artists and is Scotland's most important artist of the twentieth century. He was the first British painter - and perhaps the first of all European artists - to realise the vitality and significance of American Abstract Expressionism.

Throughout his life Alan Davie obsessively drew and painted, producing paintings of startling originality, vitality and daring. Combining imagery derived from different world cultures with a love of music and language, Alan Davie's paintings are a complex yet joyous celebration of creativity that combines the expressive freedom of abstraction with a wealth of signs, symbols and words.

Having seen the Jackson Pollock paintings from Peggy Guggenheim’s collection in Venice in 1948, Alan Davie was inspired to begin painting on a much larger scale, in an improvisatory way, with vigorous, aggressive handling of paint. Alan Davie added to a concentration of colour - already a remarkable feature in Jackson Pollock’s work before 1945 - the possibility of recognizing shapes, suggestions of movement and primitive, magical rituals.
Alan Davie explored a diverse range of activities: from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he had continued in later life. Alan Davie also wrote poetry during the early 1940s.

As early as 1958 Alan Davie emphasised the importance in his work of intuition as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. Taking on the role of a disinherited shaman, Alan Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.

Alan Davie was elected a Senior Royal Academician in 2012.

Public collections include:
Australia
Queensland Art Gallery / Gallery of Modern Art, Brisbane
Brazil
Museu de Arte Contemporânea da Universidade de São Paulo, São Paulo
Canada
Carleton University Art Gallery, Ottawa
National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa
Germany
Städtisches Museum Abteiberg, Mönchengladbach
Italy
Trevi Flash Art Museum Of Contemporary Art, Trevi
Peggy Guggenheim Collection, Venice
Portugal
Berardo Museum - Collection of Modern and Contemporary Art, Lisbon
Centro de Arte Moderna José de Azeredo Perdigão - Fundacão Calouste Gulbenkian
South Africa
Iziko South African National Art Gallery, Cape Town
Unisa Art Gallery, Pretoria
Switzerland
Schaulager, Münchenstein / Basel
United Kingdom
Arts Council of England
Birmingham Museum & Art Gallery, Birmingham
British Council City Art Centre, Edinburgh 
Fitzwilliam Gallery, Cambridge 
Leeds City Art Gallery, Leeds 
Royal Bank of Scotland, Edinburgh 
Southampton City Art Gallery, Southampton 
Scottish National Gallery of Modern Art, Edinburgh
Ulster Museum, Belfast Northern Ireland
The Towner Art Gallery, Eastbourne
The Fleming Collection, London
Tate, London
Victoria and Albert Museum, London
Whitworth Art Gallery, Manchester
USA
MIT List Visual Arts Center, Cambridge, MA
MoMA - Museum of Modern Art, New York City, NY
Museum of Fine Arts, Dallas
Museum of Fine Arts, Boston Museum of Art, San Francisco
Oklahoma City Museum of Art, Oklahoma City, OK