
John WARD
Green and White Striped Vessel
20 cm high
Impressed JW underneath
Large Tulip Vase
33 cm high
Impressed JW underneath
Green and White Pot
10 cm high
Impressed JW underneath
SPECIAL PRICE £7,500+ARR
Green and Brown Tulip Vase
19.5 cm high
Impressed JW underneath
Black Bowl with Black and White Inside
14 cm high
Impressed JW underneath
Light Blue Bulb Pot
19 cm high
Impressed JW underneath
Fawn Angled Base Pot
16 cm high
Impressed JW underneath
Flattened Vessel Molted Green and White
11 cm high
Impressed JW underneath
Dipped Rim Vessel with Green and Brown Flecks
14 cm high
Impressed JW underneath
Large Black Bowl
20.4 cm high
Impressed JW underneath
Mottled Green and White Large Bowl, 1980s
26 cm high
Impressed JW underneath
Dark Brown Round Vessel
22.8 cm high
Impressed JW underneath
Off White with Green Fleck Vessel with Square Base
14 cm high
Impressed JW underneath
Off White with Green Fleck Vessel
14.5 cm high
Impressed JW underneath
Black Pot
13 cm high
Impressed JW underneath
£5,500+ARR
Textured Cream and Brown Bowl, 1975
12 cm high
Impressed JW underneath
£4,750+ARR
Stone Vessel with Fluted Sides
10 cm high
Impressed JW underneath
£5,750+ARR
Black and White Shouldered Pot with Neck
Stoneware
22 cm high
Impressed JW seal to base
White Vessel with Green Stripes
Stoneware
11 cm high
Impressed JW seal to base
SPECIAL PRICE £5,000+ARR
Green and Brown Rounded Pot with Squared Neck
circa 1990s
Stoneware
24 cm high
Impressed JW seal to base
Blue and Black Rounded Pot with Squared Neck
circa 1990s
Stoneware
24.5 cm high
Impressed JW seal to base
Amber, Green and Brown 'Dipped Rim' Oval Pot
circa 1990s
Stoneware
23.5 cm high
Impressed JW seal to base
Large Green and White Banded Pot
circa late 1980s
Stoneware
30 cm high
Impressed JW seal to base
Large Leaning Ochre and Green Pot
circa 1990s
Stoneware
23.5 cm high
Impressed JW seal to base
JOHN WARD British, 1938-2023
One of Britain’s foremost studio potters, John Ward built up a remarkable body of work characterised by slow, methodical hand-building, and a concern for the sculptural qualities of a pot. His practice focused on the marriage of glaze and form, working within a limited palette of matt glazes and evolving forms to produce subtle variations.
After falling in love with ceramics through evening pottery classes and visits to the British Museum, John Ward started his foundation course at Camberwell School of Arts and Crafts, London at the age of 28. After graduating John Ward taught for some years, before moving to Pembrokeshire and devoting himself full-time to making.
John Ward is recognised as a leading figure in British Studio Ceramics and the publication of Emma Crichton- Miller’s book at the end of 2023 and supported in its publication by the Marak Foundation, The Pottery of John Ward was the first book to survey Ward’s life and work.
John Wards pots with their ‘refinement and otherworldly poise’ have inspired devoted admirers and collectors. His work evokes honed natural forms, the kind of bonier, elemental landscape he lived in since he had moved close to the Welsh coast in 1979.
John Ward is one of a number of significant modern potters to have concentrated on the pared down individual vessel form, most particularly the bowl, as a touchstone for exploration.