John WARD

Green and White Striped Vessel

20 cm high
Impressed JW underneath

Large Tulip Vase

33 cm high
Impressed JW underneath

Green and White Pot

10 cm high
Impressed JW underneath
SPECIAL PRICE £7,500+ARR 

Green and Brown Tulip Vase

19.5 cm high
Impressed JW underneath

Black Bowl with Black and White Inside

14 cm high
Impressed JW underneath

Light Blue Bulb Pot

19 cm high
Impressed JW underneath

Fawn Angled Base Pot

16 cm high
Impressed JW underneath

Flattened Vessel Molted Green and White

11 cm high
Impressed JW underneath

Dipped Rim Vessel with Green and Brown Flecks

14 cm high
Impressed JW underneath

Large Black Bowl

20.4 cm high
Impressed JW underneath

Mottled Green and White Large Bowl, 1980s

26 cm high
Impressed JW underneath

Dark Brown Round Vessel

22.8 cm high
Impressed JW underneath

Off White with Green Fleck Vessel with Square Base

14 cm high
Impressed JW underneath

Off White with Green Fleck Vessel

14.5 cm high
Impressed JW underneath

Black Pot

13 cm high
Impressed JW underneath
£5,500+ARR

Textured Cream and Brown Bowl, 1975

12 cm high
Impressed JW underneath
£4,750+ARR

Stone Vessel with Fluted Sides

10 cm high
Impressed JW underneath
£5,750+ARR

Black and White Shouldered Pot with Neck

Stoneware
22 cm high
Impressed JW seal to base

White Vessel with Green Stripes

Stoneware
11 cm high
Impressed JW seal to base
SPECIAL PRICE £5,000+ARR 

Green and Brown Rounded Pot with Squared Neck

circa 1990s
Stoneware
24 cm high
Impressed JW seal to base

Blue and Black Rounded Pot with Squared Neck

circa 1990s
Stoneware
24.5 cm high 
Impressed JW seal to base

Amber, Green and Brown 'Dipped Rim' Oval Pot

circa 1990s
Stoneware
23.5 cm high 
Impressed JW seal to base

Large Green and White Banded Pot

circa late 1980s
Stoneware
30 cm high
Impressed JW seal to base

Large Leaning Ochre and Green Pot

circa 1990s
Stoneware
23.5 cm high 
Impressed JW seal to base

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JOHN WARD  British, 1938-2023

One of Britain’s foremost studio potters, John Ward built up a remarkable body of work characterised by slow, methodical hand-building, and a concern for the sculptural qualities of a pot. His practice focused on the marriage of glaze and form, working within a limited palette of matt glazes and evolving forms to produce subtle variations.

After falling in love with ceramics through evening pottery classes and visits to the British Museum, John Ward started his foundation course at Camberwell School of Arts and Crafts, London at the age of 28. After graduating John Ward taught for some years, before moving to Pembrokeshire and devoting himself full-time to making.

John Ward is recognised as a leading figure in British Studio Ceramics and the publication of Emma Crichton- Miller’s book at the end of 2023 and supported in its publication by the Marak Foundation, The Pottery of John Ward was the first book to survey Ward’s life and work.

John Wards pots with their ‘refinement and otherworldly poise’ have inspired devoted admirers and collectors. His work evokes honed natural forms, the kind of bonier, elemental landscape he lived in since he had moved close to the Welsh coast in 1979.

John Ward is one of a number of significant modern potters to have concentrated on the pared down individual vessel form, most particularly the bowl, as a touchstone for exploration.